Performers: Paco de Lucia, Pepe de Lucia
Culture: Flamenco is an example of a genre that was created through a culmination of cultures
from different regions such as the andalusian region of spain, settlements of the Romani the
middle east and northwest Africa. The scale passages, harmonic texture and instrumentation
are evidence of the wide influence that Flamenco has garnered.
Instruments: 2 Flamenco Guitar, Voice, Flute, Electric Bass, 2 Cajon drums
In Wade's fourth chapter, "Thinking about Pitch," Scales are described as a way to clearly articulate
a set of pitches in ascending or descending order. The scales present in the Flamenco example above
are "oriental" scales, regarding to near eastern cultures such as Arab or Indian. This performance
contains passages of augmented seconds and chromaticism from the Paco's guitar and Pepe's voice.
At times, Pepe's solo displays scale passages that can be found in Islamic chants. Music systems vary
around the globe, so it is important to not only be familiar with western diatonic scales, but other modes
as well. The growing musicians should understand how pitch can be defined differently.
Great applications of the text, Aaron!
ReplyDeleteThis was so fun to listen to! I love the sound of the "oriental" scale-it has a lot of interest and just seems like it has more depth than our Western scales. Since I am studying Turkish music for my unit plan, I have been noticing how widely non-Western scales are used. It's starting to shift my view of music away from Western-centric ideas!
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